Stree 2: Sarkate Ka Aatank Horror Movie 1080

 Stree 2: Sarkate Ka Aatank Horror Movie 1080

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After the events of Stree, the town of Chanderi is being haunted again. This time, women are mysteriously abducted by a terrifying headless entity. Once again, it's up to Vicky and his friends to save their town and loved ones.

Director: Amar Kaushik

Writer:   Niren Bhatt

Stars:      Rajkummar RaoShraddha KapoorPankaj Tripathi

Stree 2: Sarkate Ka Aatank Review:

“Stree 2” picks up right where the 2018 horror-comedy Stree left off, bringing us back to the eerie and quirky town of Chanderi. This time, the villagers are confronted with a new supernatural threat, a terrifying entity named Sarkata, who seems to be a more significant challenge than Stree herself. The movie is expected to blend horror and comedy seamlessly, keeping audiences at the edge of their seats while making them laugh out loud.

Rajkummar Rao reprises his role as Vicky, the endearing yet somewhat dim-witted tailor who once again finds himself at the centre of the spooky chaos. Shraddha Kapoor returns as the mysterious woman with a questionable identity, leaving us guessing whether she’s an ally or foe. Pankaj Tripathi’s character, Rudra, the eccentric “know-it-all” with a penchant for ghost stories, is back with his signature witty one-liners. Abhishek Banerjee and Aparshakti Khurana return as Vicky’s loyal but equally terrified friends, Jana and Bittu.

New to the cast is Tamannaah Bhatia, who plays Shama, a character introduced briefly in the first film. Her role is crucial to the unfolding mystery and promises to add an exciting new dynamic to the story.

The film is filled with absurdly funny moments that keep you laughing from start to finish. Rajkummar Rao plays a tailor with a supernatural ability to measure clients by looking at them. He’s also a sewing whiz, and his father thinks he’s a reincarnation of a tailoring deity. Their conversation about sex is hilarious!

The ghost in the film is equally comical, with a penchant for kidnapping men in their birthday suits. The camaraderie between the three friends is heartwarming and feels authentic, like real-life conversations between childhood buddies. And Rajkummar’s clumsy attempts to woo Shraddha will surely make you smile.

What to Expect?

Fans of the original film can expect Stree 2 to maintain the perfect balance between humour and horror that made its predecessor such a hit. The film delves deeper into the lore of Chanderi, exploring new myths and legends while keeping the audience engaged with its well-crafted screenplay. The dialogue, a highlight in the first movie, is sharp and witty, ensuring that the humour lands right amidst the spooky atmosphere.

This film’s real heart and soul lie in its engaging characters and their witty banter. Pankaj Tripathi steals the show as the local wise guy, and his comedic timing is impeccable. We can’t help but wish he had more screen time! Aparshakti brings a cynical charm to his role, while Abhishek Banerjee delivers a hilarious performance as a man possessed. Shraddha Kapoor exudes a captivating mystery, and her chemistry with Rajkummar Rao is undeniable. Rao, however, is the film’s true star, elevating even the most absurd moments with his nuanced performance. His reactions to the supernatural occurrences are priceless, and his awkwardness around Shraddha adds a delightful touch of humour.
Compared to the First Film – Stree

While Stree introduces us to the peculiar world of Chanderi and its haunted history, Stree 2 expands on this universe. The stakes are higher, the horror elements more intense, and the comedy more refined. The sequel builds on the cliffhanger ending of the first film, answering lingering questions while posing new ones, making it a worthy continuation of the story.

zombieland English Horror Movie HD 1080

 zombieland English Horror Movie HD 1080

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A shy student trying to reach his family in Ohio, a gun-toting bruiser in search of the last Twinkie and a pair of sisters striving to get to an amusement park join forces in a trek across a zombie-filled America.

Director:  Ruben Fleischer

Writers:   Rhett ReesePaul Wernick

Stars:      Jesse EisenbergEmma StoneWoody Harrelson

Zombieland Movie Review:

Twelve years after its release, Zombieland (2009) remains one of the most enjoyable films in the flesh-eating genre. Its secret sauce? Brilliant casting – five Academy Award nominees – fast pacing, and the fact it just doesn’t take itself too seriously.

The premise of Zombieland is pretty simple: four jaded individuals reluctantly join forces and carpool across the country during a zombie apocalypse. The narrator, Columbus (Jesse Eisenberg) is a social recluse who has survived by following a list of conservative rules, including staying fit enough to outrun the zombies (Rule #1: Cardio) and shooting them twice to make sure they’re actually dead (Rule #2: Double Tap).

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Director Ruben Fleischer made his directorial debut with this film, and takes great delight in covering each of these rules in gory detail: a homemaker escapes the neighbourhood zombie kids, only to go flying through her windscreen because she’s not buckled up (Rule #4: Seatbelts).

Columbus, with his irritable bowel syndrome and rolling suitcase (Rule #7: Travel Light), is the perfect foil for snakeskin jacket and cowboy hat wearing Tallahassee (Woody Harrelson). Tallahassee is in the butt-kicking business (and “business is GOOD”, Harrelson declares, two chainsaws in hand). After a tense standoff, Columbus hitches a ride.

The film looks set to fade into odd-couple mode, until the pair are outwitted by jaded 20-something Wichita (Emma Stone), and her pre-teen sister, Little Rock (Abigail Breslin). The women quickly hustle the unsuspecting men, taking their guns and their truck (not once, but twice), on a quest to reach Pacific Playland, their childhood happy place.

Part of what makes this film work is the chemistry between the cast. There’s a sense of ease and camaraderie, which is greatly helped by the film’s zippy editing, well-paced flashbacks, clever use of graphics and snappy dialogue (Little Rock’s explanation of Hannah Montana to an engrossed Tallahassee stands out).

Above all, they seem to be having fun, something missing from most of the exhaustingly gritty string of zombie productions that have emerged over the last two decades, from the 11 angst-riddled seasons of The Walking Dead to Hollywood hit World War Z and umpteenth Resident Evil film. When the cast trash and smash an Arizona gift store, their delight is so genuine, you kinda wish you could be in there with them. A standout moment is the appearance of actor Bill Murray, who shows up in a brilliantly executed cameo.

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While Murray almost steals the show, it’s Harrelson as Tallahassee who ends up carrying the film. His character offers a handy roadmap in how to deal with the apocalypse: indulge in blind rage to vent your frustration, develop a dark sense of humour, and pursue your comfort food of choice (Twinkies) at all costs. He even inspires Columbus to add another rule to his list (#Rule 32: Enjoy the Little Things).

It doesn’t set out to be, but by the end this zombie movie is quite sweet. Sure, there’s blood, guts and gore, but the virtues of loyalty, trust and family are established without feeling cheesy or insincere. Almost as much of a triumph as surviving the apocalypse.

Beetlejuice Beetlejuice Horror Movie HD 1080

 Beetlejuice Beetlejuice Horror Movie HD 1080

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After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.

Director:  Tim Burton

Writers:   Alfred GoughMiles MillarSeth Grahame-Smith

Stars:      Michael KeatonWinona RyderCatherine O'Hara

Beetlejuice Beetlejuice Review:

Beetlejuice” gets off to a start that’s so charming it never lives it down. The movie is all anticlimax once we realize it’s going to be about gimmicks, not characters.During the enchanted opening minutes of the film, we meet a young married couple who have just moved into a strange new house, and we’re introduced to some of the local townspeople. All of these characters have an offhand, unforced innocence, and no wonder: The movie was directed by Tim Burton, who created a similar feeling in “Pee-wee’s Big Adventure.” It’s hard to describe what makes the opening scenes so special. Alec Baldwin and Geena Davis, as the young couple, seem so giddy, so heedlessly in love, that they project an infectious good cheer. The local folks are so gosh-darn down-home they must have been sired by L. L. Bean out of the “Prairie Home Companion.” The movie is bathed in a foolish charm. And, fool that I am, I expected that note to be carried all the way through the film. But it was not to be.

The young couple die in a silly accident. But they still live in the same house. The only problem is, there’s nothing outside the door except for a strange science-fiction landscape that looks borrowed from Paul Schrader’s “Cat People.” It takes them awhile to figure out they’re dead, and even longer to realize what has happened: Their fate is to remain in their former home as ghosts, while it is sold to a New York family (Jeffrey Jones and Catherine O’Hara, with Winona Ryder as their daughter). The New Yorkers have big plans for remodeling the haunted house.

This is all, I guess, a fairly clever idea. And the movie is well-played, especially by Davis (the girlfriend in “The Fly”) and Jones (the emperor in “Amadeus” and the obnoxious principal in “Ferris Bueller’s Day Off”). But the story, which seemed so original, turns into a sitcom fueled by lots of special effects and weird sets and props, and the inspiration is gone.

To be sure, there has never before been a movie afterworld quite like this. Heaven, or whatever it is, seems a lot like a cruise ship with a cranky crew. The newly-deads find a manual, which instructs them on how to live as ghosts, and they also find an advertisement from a character named Betelgeuse (Michael Keaton), who specializes in “exorcisms of the living.” They enlist him to try to scare the New Yorkers out of the house, but he turns out to be a cantankerous demon – more trouble than he’s worth.

The best thing about “Beetlejuice,” apart from its opening, is the set design by Bo Welch. Both Welch and Burton seem inspired by the spirit of “Pee-wee’s Playhouse” and “Pee-wee’s Big Adventure,” in which objects can have lives of their own and architectural details have an unsettling way of rearranging themselves. The look of the film might be described as cartoon surrealistic. But the film’s dramatic method isn’t nearly as original.

One of the problems is Keaton, as the exorcist. Nearly unrecognizable behind pounds of makeup, he prances around playing Betelgeuse as a mischievous and vindictive prankster. But his scenes don’t seem to fit with the other action, and his appearances are mostly a nuisance. It’s also a shame that Baldwin and Davis, as the ghosts, have to spend most of their time playing tricks on Jones and O’Hara and winning the sympathy of their daughter; I would have been more interested if the screenplay had preserved their sweet romanticism and cut back on the slapstick.

The Crow English Movie HD Quality 2024

 The Crow English Movie HD Quality 2024

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Soulmates Eric and Shelly are brutally murdered. Given a chance to save the love of his life, Eric must sacrifice himself and traverse the worlds of the living and the dead, seeking revenge.

Director: Rupert Sanders

Writers: James O'BarrZach BaylinWilliam Josef Schneider

Stars: Bill SkarsgårdFKA twigsDanny Huston

The Crow Movie  Review:

Few box-office sensations are as intrinsically of their own moment as The Crow, the baroque lullaby of beyond-the-grave retribution that swooped into theaters on a tailwind of tragedy in the summer of 1994. Brandon Lee, the film’s 28-year-old star (and the son of martial-arts legend Bruce Lee), was killed on set in a freak accident involving a prop gun. The dark truth is that his death lent the whole movie a chill of morbid, art-imitating-life gravitas. 

You weren’t just watching an actor play a superhero rising from the dirt to avenge his true love. You were seeing, in a sense, the ghost of that actor, conjured on screen via a posthumous performance that blurred the line between real and fictional loss.

Thankfully for all involved, no grave misfortune hangs over the reboot of The Crow, whose behind-the-scenes troubles were more mundane – a string of exiting stars and creative teams that kept it in development hell for years. 

Of course, it was more than just the ghoulish fascination of Lee’s presence that made the original a hit. That film was a junky runway show of a comic-book fantasia that got by on style and attitude and fashion sense, on the way it synthesized its goth influences into a highly marketable brand. 

This new Crow never tries to party like it’s 1994, which is both a relief and one reason it's destined to become a footnote. Watching it, you’re more aware than ever of how inextricable The Crow is from his Gen X genesis.

Demonte Colony 2 Tamil Movie 1080

 Demonte Colony 2 Tamil  Movie 1080

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A group of friends who return to a cursed location, driven by curiosity and the quest to uncover the truth behind the malevolent spirits that reside there.

Director: R. Ajay Gnanamuthu

Writer:    R. Ajay Gnanamuthu

Stars:     VJ ArchanaArulnithiC. Arunpandian

Demonte Colony 2 Movie Review:

 A sense of déjà vu washes over you as Raghu (Arulnithi), Debi (Priya Bhavani Shankar) and a monk see their faces appear on an unused television. All fans of the thrilling original, Demonte Colony, know that this special show is spearheaded by the ghost, the dead king. While the show last played on a small television screen in a colony-like apartment building in 2015, the latest version is telecasted on a huge LED screen hung in a Chinese restaurant in 2021. Yes, the ghost’s golden chain is stolen once again and the evil spirit is back.

Director Ajay Gnanamuthu is well aware of the impact of the first film. So, the sequel picks up where the first film ends and even if the director wants to try something new, he ensures the screenplay circles back to something that reminds us of the original. However, such cues are organically sprinkled throughout the film. For instance, Debi meets Srinivasan (Arulnithi from the first film) for the first time when she coincidentally visits the astrologer (who was killed by the ghost) and later learns that Srinivasan has a twin brother named Raghu. Likewise, the horror sequences play out similarly to the original because it’s the ghost’s creative, copyrighted pattern of killing. And such moments make for some of the best sequences in Demonte Colony 2. It creates a certain setup where there is an eerie familiarity to the proceedings and the horror begins to kick in even before the actual ghost arrives.

Two major qualities that powered the original were the portrayal of evil – the spirit was much more powerful than the hero, who was merely trying to escape – and the suspense-filled screenplay. Both of these aspects are partially present in the sequel. Until the dead king arrives in the Chinese restaurant where Raghu, Debi, and the monk take shelter, one or the other intriguing event keeps happening. There is a heart-aching love story, an astral projection, a twin reveal, an investigative angle, and much more. The visuals of an after-life kingdom too find space in this racy film. However, towards the end, the escape plans seem to play on repeat without much logic and innovation. Since you’re already in familiar territory, there isn’t much suspense to keep you hooked. The only few twists in the film too are garden variety and can be seen from miles away – Debi meets a kid who looks familiar, and you know right away who the kid is; she ignores a sealed letter during a montage sequence, and you already know that there’ll be a climax twist with this.

That said, Demonte Colony 2 matches the energy and thrill of the original for the most part. The production value too gets an upgrade in the sequel. Just like the first film, the makers stay away from Kollywood’s horror house: the palace. The first film was set in a small house in a colony. And this time around, the events unfold in a posh, dimly lit, and red-tinted Chinese restaurant. From the cutting of vegetables to a scary aquarium, everything is viewed through a lens of dread which adds to the story’s tension. Arulnithi gets very little to do even as he plays dual roles, but he does what’s required of him. It is Priya Bhavani Shankar who shoulders the film and Demonte Colony 2 might well be a prominent film in her career. Even though it takes time to buy into her performance because, for the nth time, all we see her do is cry, there’s more to her character than just sadness. There’s a certain longing and a search for something unknown, which PBS manages to bring out. Besides the mostly engaging screenplay and performances, what urges you to overlook the flaws is how Demonte Colony 2 is arguably one of the most compelling sequels to come out in Tamil cinema and that we would be happier even if the mystic chain is stolen yet again.